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Sat, Sep 11th, @7:00pm - 09:30PM
Klaviesta Tri-University Concert
Tue, Sep 14th, @6:00pm - 11:00PM
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Wed, Sep 15th, @6:00pm - 11:00PM
Auditions and Interviews
Thu, Sep 16th, @7:00pm - 10:30PM
Welcome Tea
2009.01.18 10:42:59
Teaching Pattern

Some tips to practice…

I guess these may be Mrs. Low’s teaching pattern…

 

Notes

If we don’t get them mostly correct, she’ll tell us to practice. Don’t ever think of playing perfectly correct. Striving for perfectly correct notes is very stressful… There are some other else besides notes…

Rhythm, timing

Counting problems (incorrect timing, rushing, slowing down, being not together, polyrhythm difficulty) are very very very very very very very very very very very very very very very very very very very very very very very common.

Mrs. Low may not be keen on highlighting them. I guess she will only say something like “You must count” or “You should hear each other” (= a polite version of “use your ears!”).

The following are my own translation of those two common phrases:

“You must count” = Let your head plays a metronome for a while and follow it, or check the notes again.
“You should hear each other” = Follow partners, remind your partners if they are rushing or slowing down by playing the correct rhythm. If they can’t be reminded, ...follow them.

I think a bar of pause can be used to check whether the current rhythm is correct.

Dynamics, techniques

The hardest to teach, the hardest to get, yet the most beautiful part of music... [I even don't know what I'm talking about... hahaha]

She can start to touch your hands/wrists if some notes does not sound with the correct amplitude (too loud, too harsh, or too soft). If you don't do pedaling, she'll point you some places to do pedaling [pedal here and there, put your foot on pedal, etc.]. She can also ask you to visualize certain parts of pieces (if they can be visualized).

Techniques are something to get as exact as possible, so she will tell a lot if you do not get them correctly. [oh yeah, I'm one of the victims :P] Errrrrr but notes and rhythms must be correct first.

On the other hand, dynamics may be...somewhat free. So, putting own's interpretation is somewhat encouraged.
"Is that what you want?"
"You don't seen happy with it."
"Does it sound like what you want?"
"We can do either this or ...this. Which one do you prefer?" 

Well, sometimes it's not that free... If you want to be safe, try to copy dynamics from a lot of recordings.

 

Tempo

I guess this is rarely discussed… She can definitely tell our maximum tempo, though.

 

The pattern really makes sense, anyway...

Coming up with our own 4 things will boost progress during master class or rehearsal with Mrs. Low. It’s similar to reading lecture notes and coming up with one’s own understanding before a lecture.

But... don't think about this too much. Most of us are not from music major...

 

If she doesn’t give any comment, a miracle happens! XD
Of perhaps it's not the time for her to give comments... 

 

Handling nervousness is not taught. Please practice in front of your friends or any strangers to get used with it.

 

Anyway... now you can try to teach yourself...

 



Tags: how to


2009.01.19 04:35:05
More patterns:

Shouting the notes aloud, grabbing your hand and moving it, and (for guys) pushing your shoulder.
Make sure you ignore the above patterns if you're playing a sad piece. Otherwise, you may start laughing at how ridiculous it looks, and she'll complain that you aren't sad enough.

Don't be discouraged if she doesn't give a single compliment. Her compliments are actually of no use to you, since it won't make you improve. You can judge how well you played by observing what she criticizes. The best-case scenario is that all her comments are about your interpretation, and none are about your technique.

 
2009.01.19 04:57:56
Whether you can get what she tells you, that really depends on you [= whether you can understand what your lecturer says, that really depends on you]. I think she gave me a lot of insights since the first time I had master class with her.

She mentioned about technique when I played Waldstein...

Dynamics and techniques depend on each other. They are just like egg and chicken [which one comes first?].

I think the best scenario is when she does't give comment at all. But that unlikely happens in master class, though...

If she gives comments about notes and rhythms, the music room needs to be fully utilized [+ the metronome? but I don't think metronome helps much, because in performances we never use metronome.]